1813-1869   Related Paintings of charles billoin :. | scene de deluge | la derniere de gericault | marine. collection particuliere | paysage aux pecheurs dit le matin | tetes coupees dites de supplicies |
Related Artists:
Colijn de Coter
painted Christ as the Man of Sorrows in c. 1500
MOREELSE, Paulus
Dutch Baroque Era Painter, 1571-1638 Dutch painter, draughtsman, architect and urban planner. He was from a well-to-do family, which settled in Utrecht c. 1568. According to van Mander, Paulus studied with the Delft portrait painter Michiel van Mierevelt and was in Italy before 1596, the year he became an independent master in the saddlemakers' guild, to which Utrecht painters then belonged. On 8 June 1602 he married Antonia Wyntershoven, by whom he had at least ten children. The most famous of his many pupils was Dirck van Baburen, who studied with him in 1611, when the Utrecht artists set up their own Guild of St Luke. Moreelse was instrumental in this and became its first dean. In 1618, after a series of political disagreements, a number of citizens, including Moreelse and the painter Joachim Wtewael, petitioned the town council to resign. When that occurred, Moreelse became a member of the new council and continued to hold various public offices until his death. He was a strong supporter of plans to found a university in Utrecht and was closely involved in the preparations and in its opening in 1636
rudolph von alt
Rudolf Ritter von Alt (28 August 1812 in Vienna ?C 12 March 1905 in Vienna) was an Austrian landscape and architectural painter. Borne as Rudolf Alt, he could call himself von Alt and bear the title of a Ritter (knight) after he gained nobility in 1882. He was the son of the famous lithographer Jakob Alt (1789-1872). He studied at the Akademie der bildenden K??nste in Vienna. Hiking-trips through the Austrian Alps and northern Italy awoke a love for landscapes, and he painted with his brush using watercolors in a very realistic and detailed style. In 1833, inspired by a visit to Venice and neighbouring cities, he also made a number of architectural paintings. Alt demonstrated a remarkable talent for expressing certain peculiarities in nature. He managed to paint nature authentically by focusing on the different hues of sky, the colour-tone of the air and the vegetation. His later works came closer to Impressionism. His perspectives on architecture were interesting, and he often chose everyday objects to paint. The painting of interior-views also became one of his strong points, giving him attention in Vienna. He visited and worked for a while in Rome and Naples; after that he visited the lakes of Lombardy, then Galicia, Bohemia, Dalmatia, Bavaria and then returned multiple times to Italy. In 1863 he went to the Crimea to paint some views of an estate of the Empress, and in 1867 he went to Sicily. His younger brother Franz Alt, (b. 1821 in Vienna) was also a painter. Most of his paintings are held by various museums in Vienna. The Albertina in Vienna hosted a retrospective exhibition from September 2005 to January 2006.